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妮娜和她最好的朋友斯塔尔一起探索充满活力和色彩的社区。每一天都变成了一次新的旅行，庆祝家庭、社区和奇迹

After Anschluss — the Nazi invasion and incorporation of Austria in 1938 — a group of Jewish children travel from Vienna to Oslo for summer camp. But when the time comes for them to return home, the political conditions on the continent have worsened and they can no longer return to their families. In Norway, an orphanage is established to look after these effectively homeless children, one of whom is director Nina Grünfeld’s father.

A drunkard reforms on overhearing a child's prayer.

The plot of this documentary is dedicated to the tragic fate of Joseph Stalin's grandchildren.

Based on Pushkin's "Little Tragedies" ("The Miserly Knight", "Mozart and Salieri", "The Stone Guest", "A Feast in the Time of Plague").

The production by Kirill Serebrennikov revives all four of Alexander Pushkin's classic blank-verse dramas: "Mozart and Salieri", "The Miserly Knight", "The Stone Guest", and "Feast in Time of Plague". Without changing a single word of the original text, Serebrennikov seamlessly blends classic literature with the stark realities of the 21st century. The director explores human nature through a modern lens, reflecting on envy, greed, egocentrism, and the profound fear of aging and oblivion. In this reimagining, the Miserly Knight becomes an archivist of a vast library, his son turns into a motorcycle racer, and the grim "Feast in Time of Plague" takes place inside a modern nursing home. Serving as the central musical and thematic thread, famous Russian rapper Husky performs his own songs between the acts, acting as a contemporary Prophet and bridge between eras.

Leningrad State Drama Theater television staging of Pushkin's three "Little Tragedies": The Covetous Knight, The Stone Guest, Mozart and Salieri

Leningrad State Drama Theatre's staging of Pushkin's three "Little Tragedies": The Covetous Knight, The Stone Guest, Mozart and Salieri

In Roman tragedies, Ivo van Hove and Jan Versweyveld have created a unique arena in which Shakespeare speaks about our time more than ever and the political game in all its facets.